Bon appétit from the Tarn: The Perfect Easter Lunch

Navarin d’agneau, the perfect Easter lunch

A leg of lamb– gigot d’agneau–is a firmFrench favourite for Easter. Stick it full of garlic slivers and rosemary leaves, cover with butter (yes) and roast on high heat until pink in the middle. But this year I’ve gone for something more complicated, in honour of the tender new vegetables just coming on to the market– a navarin d’agneau,  lamb stew, but with class.

First, a trip to the market. Here are Claudie and Caroline at the wonderful market in Biarritz. They’re shopping for lamb to make a tagine, but the basic principle is the same. Forget your list and throw yourself on the mercy of He–or She–Who Knows Best…

Early morning at the marché de Biarritz

“In spite of the early hour there was a bustle. Caroline felt her spirits lift as they stepped indoors. The tiny bars with their zinc counters were doing a brisk trade in strong espressos. A din came from the produce stalls, where the market sellers, on raised platforms, vaunted the quality of their wares interspersed with rapid-fire banter with the customers in a mixture of languages, French, English and Spanish.

‘Deux kilos de saucisse pour la belle dame à la robe rouge!’

‘Et vous Monsieur, qu’est-ce qu’il vous faut? Un bon pied de porc pour ce midi?’

a selection of charcuterie Barritz market

A long queue had formed at one stall where three men in Basque berets were nimbly dodging and dancing past each other reaching for hams, duck legs and trays of charcuterie…

It took a good half hour for Claudie to drag Caroline to the stall which sold the lamb. Laid out behind the glass were different cuts of lamb chops, shoulders of lamb, gigots, racks of lamb, lamb sausages. Caroline tried to take it all in. Presiding over the proceedings was lady of a certain age with a regal bearing. Under her white apron she wore a fluffy angora top in Barbie pink. Rubies glittered in her ears, the same colour as her Chanel red lipstick. Her blonde hair was sprayed into an immaculate golden helmet.

Caroline nudged Claudie.

‘It’s Catherine Deneuve.’

Claudie giggled.

‘That is la patronne. The owner’s wife. She has to keep up appearances. Look at that diamond, you can see it through her plastic gloves. Le patron is doing well.’

Madame, on her raised platform, was playing the crowd. She spread her arms theatrically and apologised graciously to the steadily growing queue.

‘They are busy with the orders,’ she said, indicating her husband and a team of assistants who were cutting, sawing and packing meat into Styrofoam boxes.

The way she imparted this information indicated the customers should be honoured there was any meat left for them at all. They nodded respectfully, an eye on her flashing knives.

‘Oui Mesdames?’

Finally it was their turn.

Claudie began to order.

Madame paused.

‘What are you making?’

‘A tagine.’   (NB: Or, for today’s dish ‘un navarin’ -Ed)

Madame smiled.

‘I will choose the meat,’ she said, putting away the cuts that Claudie had asked for. Her manicured hands in their plastic gloves hovered over a tray of shoulders. She paused, dived on one piece of meat and held it up for Claudie’s inspection, turning it from side to side like a jeweller showing a rare gem.

‘Perfect,’ said Claudie.

They watched as Madame selected a long thin knife and deftly removed the bone, holding that up for inspection too.

‘This will be good. For the flavour.’

She made a neat wax paper package.

Her eyes travelled over the other trays. ‘The fat.’

She chose three pieces of neck and weighed them.

‘Perhaps one more?’ ventured Claudie.

Madame complied graciously.

Caroline looked behind her at the waiting customers. They all had solemn expressions on their faces. No one moved or complained.

Five minutes later they had a basket full of packages and Claudie had handed over a lot of money.

‘Bon appétit,’ said the patronne. ‘And give my regards to your mother.’

She tilted her head in a nod of acknowledgement.

‘She knows the family,’ said Claudie under her breath, adding ‘Merci Madame. Bonne journée.’

‘Merveilleux, truly merveilleux,’ said Caroline as they left.

(Biarritz Passion: French Summer Novel #1)

After the lamb, a visit to the veg stall to buy the tenderest baby carrots and turnips, tiny onions, dwarf green beans, spring potatoes (grenailles) and  peas. (OK, I cheated. The peas were frozen). All the vegetables must be lovingly prepared and added to the lamb for the last hour of cooking, then left overnight so that the flavours mingle.  NB don’t forget to treat yourself to bouquet of spring flowers along with the dwarf beans.

Add sugar to your lamb to get that perfect amber glaze

For the recipe*, I use a combination of Julia Child’s classic and the inspiration du jour , but an essential  thing to remember is that the lamb, as you are browning it, must be caramelised with sugar in order to acquire the beautiful amber colour typical of the dish.

 

Now, which olives for the aperitif…

For amateurs of the French Summer Novels, Caroline and Claudie will be at the market again, discussing life, love and the best olives in town in ‘Villa Julia’, the last book in the series, currently under, ahem, revision. Imagine a vast shapeless onesie with long arms and short legs being painstakingly unpicked, re-cut, tucked in here, let out there; add a few sequins, a flounce, a bow and with a bit of luck it might end up  as a haute couture ballgown on next season’s catwalk…But while ‘Villa Julia’ is being cut to ribbons in the atelier, you can always hop over to the beautiful Basque country for less than a fiver! Let yourself be carried away to the Atlantic rollers via Biarritz Passion and Hot Basque . Go on,  you’re worth it…   😉

Joyeuses Pâques!

*Julia Child’s recipe can be found here:

https://www.npr.org/templates/story/story.php?storyId=112294915

 

The Palace of Love

Hôtel du Palais, Biarritz
Hôtel du Palais, Biarritz

‘I think this calls for something really special.’ Edward had a gleam in his eye. ‘Maybe ‘special’ like lunch at the Grand Palais?’
Caroline shrieked, stood on tiptoe and gave him a kiss. Jill, who had got as far as the bottom of the stairs, gave another whoop.
‘The Grand Palais? Is that that pink thingy on the cliff with the fifty-foot gates? Will we get in? Do you have to bribe the chef? Caro, what are you going to wear?’

Extract from ‘Hot Basque
In the ‘French Summer Novels’ the Hôtel du Palais*, sometimes referred to as ‘le Grand Palais’, makes a star appearance. This amazing building is the perfect romantic symbol. The original construction, the Villa Eugénie, was commissioned in 1854 by Napoléon III, Emperor of France, as a love token for his Spanish-born bride, Eugénie. From the windows of this summer residence, built in the shape of an E, she could look out towards the Pyrenees and her native country. The yearly visits of the royal couple and their entourage would shape the destiny of Biarritz, transforming it from a little-known fishing village to the ‘The Queen of Resorts and the Resort of Kings.’ **

Plage du Phare. The Villa Eugénie was built overlooking this beach
Plage du Phare. The Villa Eugénie was built overlooking this beach

María Eugenia Ignacia Agustina de Palafox-Portocarrero de Guzmán y Kirkpatrick was born in Spain in 1826. Did she ever dream that that her romantic destiny was to become Empress of France? That one day she would be introduced to Louis Napoléon Bonaparte, that he would be struck by a coup de foudre, and that, after a two-year courtship involving some fancy footwork on the part of the heroine, she would finally get her man?
But the royal couple’s life together was not without its ups and downs. Napoléon was an unabashed Don Juan with an impressive list of mistresses. ‘L’empereur était volage…un incorrigible séducteur’, according to his biographers. Flighty, an inveterate seducer with an insatiable appetite for his ‘little distractions’, he reportedly said “It is usually the man who attacks. Personally, I defend myself, and I often capitulate.’
When Eugénie first appeared on the scene the beau monde was divided. Her detractors called her a ‘jumped up Spaniard’, ‘an ambitious adventuress’, while her supporters praised her ‘graciousness’ her ‘Spanish vivacity’ and striking beauty. What she thought about her poor husband having to beat off hordes of lovestruck women has gone on record when, at a famous soirée, he disappeared with a certain Mme de Castiglione. Seeing him return looking somewhat rumpled, Eugénie is said to have flown into a rage and heaped coals of wrath upon his head before the assembled guests. ***
No wonder he had to shower her with love tokens.

The imposing entrace to the Hôtel du Palais
The imposing entrace to the Hôtel du Palais

‘As the barrier swung upwards, Jill clutched Caroline’s hand
‘Omigod…’
The taxi dropped them in front of the imposing entrance.
Caroline smiled at the look on Jill’s face as they stepped inside the foyer. She bet she’d looked exactly the same one year ago, when they first came for cocktails.
Le Grand Palais. Its interior breathed luxury, elegance and refinery. The opulent belle époque decor was so packed with tiny details, carvings, mouldings, delicate traceries of goldleaf that it could have been overwhelming. But the romantic history of the palace made everything seem quite fitting. A gift from an Emperor to his beloved, it was perfect. Marble pillars, magnificent teardrop chandeliers suspended from lofty ceilings, glittering fractals of light reflected from dozens of mirrors, all transported the beholder back to a vanished world.
‘I’m in a Renoir painting,’ said Jill. ‘Really. Do you know that one, Caro…’Dance in the City’, there’s this woman in a beautiful white satin ballgown and long white gloves, dancing with this bloke…a dark handsome stranger, a bit like Antoine now I think of it…’
Caroline nodded. It was easy to imagine a sea of dancers waltzing through the magnificent salons, across the shining floors, past the painted frescoes, pausing to chat among the palm trees and flowers. Easy to succumb to the magic, and dream.’

Empress Eugénie wearing a gown designed by Charles Frederic Worth Wikimedia Commons

Empress Eugénie wearing a gown designed by Charles Frederic Worth
Wikimedia Commons

In the portrait on the left Eugénie is wearing a gown by the father of haute couture, Charles Worth. She became his most famous client, launching a new vogue in fashion. Seeing her dresses, fashionistas in Europe and America would order la tournure, or bustle, when visiting their dressmaker: the era of the crinoline was over.
And modern fashionistas? For their chic lunch date, Caroline wears a dress of ‘vivid scarlet’. It was ‘fitted, emphasising her small round breasts and tiny waist. High-necked, and plain except for ruched cap sleeves.’ Jill wears ‘a dress in black and white georgette, the sleeves and low neckline picked out in satin which threw Jill’s velvety skin into relief. It fell semi-fitted to a slightly flared hemline, just above the knee. The bold black and white vertical stripes drew attention to her voluptuous bosom and flat stomach.’
Will hot Basque Antoine be impressed?
‘Ah, Irish. You are more beautiful zan last night. And last night you were very very beautiful.’
Aaah. Some men know just what to say to women.
Of course there’s no way our fictional heroines could have rivalled Eugénie in terms of jewelry. The Empress had a stupendous collection which included the famous Pelegrina pearl, another gift from Napoléon (what had he done?), reputed to be the most perfect pearl in the world. As part of its legend, it became famous once more in 1969, playing a role in a love story that thrilled fans everywhere when Richard Burton bought it for Elizabeth Taylor as a Valentine’s Day gift. (Actually, she lost it, and only after searching the room frantically for the priceless bauble did she recover it–from the mouth of one her Pekingese dogs…)
‘Shaded from the sun by a vast awning, the terrace seemed to overhang the sea, so close that you could almost dive in…. below, in a panoramic sweep, the Atlantic spread before them, filling the graceful curve of the bay as far as the opposite promontory.
On their visit last summer they had chosen the house cocktails, the Emperor and the Empress. Caroline remembered sharing complicit looks with Edward, their relationship was just starting to blossom, she had been filled with unbearable happiness.

Cocktails at the Hôtel du Palais
Cocktails at the Hôtel du Palais

‘Good,’ said Antoine, ‘Emperors and Empresses for one day. Let us dream.’

He may not have the Peregrina pearl up his sleeve, but he’s got the sexiest French accent, not to mention other assets, as Jill soon finds out…

To raise a toast to all romantic dreamers, ‘Hot Basque’ is on special offer at $ 0.99,  £0.79 and €0.99 (from 26th May, limited time only)

  • * http://www.hotel-du-palais.com/
  • **for more about Biarritz see my blog post February 2015, ‘Biarritz’.
  • ***‘Les Couples Royaux dans l’Histoire’ Jean-François Solnon, Broché.

What’s in a Name?

 

Haworth churchyard
Haworth churchyard

This month sees the bicentenary of the birth of one of the world’s greatest novelists, Charlotte Brontë, April 21st 1816-March 31st 1855. Her remains lie in the family vault in the church of Saint Michael and All Angels, Haworth.

The Brontës have been much on my mind in recent months. Not just because of the bicentenary but because I was born in Halifax, in Yorkshire’s West Riding, where the Brontë legend is part of the air breathed in by every newborn. Also, Haworth is the setting for my new novella ‘The Passage of Desire’.

I grew up in a small industrial town not far from the moors. There were still some dark satanic mills about in which my forefathers (and mothers) had toiled, but there was the open countryside nearby, the heather and the skylarks. An ideal place to mooch with your best friend and share the delicious angst of being a fourteen-year-old misunderstood aesthete in a world of philistines.

Haworth moor
Haworth moor

Obscurely we felt there must be something, some mystical bond, linking us to those three great sisters who revolutionised English literature. Maybe a long-lost relative who—if we could only find the birth certificates in a musty old box in Grandma’s back bedroom—would turn out to be an actual member of the Brontë family, hitherto undiscovered, plunging us instantly into literary fame-by-association?

My family had lots of stories to tell about our ancestors. The legends were usually dusted off for Christmas and brought out with the turkey and the sherry. They caused the usual eye-rolling among the younger generation, hunched in their chairs, waiting for the dreaded moment they’d be called upon to start off the charades or strum ‘Little Donkey’ on the guitar. Most stories involved scandal, at least one bend sinister, and acquired extra bells and whistles over the years. They were long, involved and accompanied by raised voices and dramatic action which sometimes resulted in chairs getting knocked over. A song might be thrown in, a capella, or with piano accompaniment.

But in the 1840s (here, breath would be held) there was one brush with literary fame. Great Great Aunt Mary (or Martha or Phoebe) got a job as a housekeeper in Haworth. Yes, Haworth! Did she ever bump into those famous sisters as she hurried down the cobbled streets, shawl tight against the wind? Maybe even dropped by the Parsonage to give Emily a hint on plot development? Again, history was disappointingly vague on this subject. However, it seems her path did cross that of their brother, as, somehow or another, our family acquired a silver-mounted walking stick belonging to Branwell Brontë himself. (One version of the story had Branwell leaving it behind after too many drinks at The Black Bull Inn. But that was later expurgated.)

The missing link remained missing, alas. But the Brontë influence remained. And so, in this third book in the French Summer Novels series, I wanted to try something different. My thoughts kept returning to the brooding moors and wild storms of ‘Wuthering Heights’, that mythic story of doomed love and violent passion that has seized the imagination of readers since it was published in 1847. When Cathy says: ‘Nelly, I am Heathcliff!’ she is uttering, according to Simone De Beauvoir, ‘the cry of every woman in love.’

Nelly, I am Heathcliff! He's always, always in my mind...not as a pleasure...but as my own being.
Nelly, I am Heathcliff! He’s always, always in my mind…not as a pleasure…but as my own being.

The problem was, how to relate a Yorkshire family to the characters of the two preceding romantic novels?

The answer came in the form of Alexandra, the mother of Caroline and Annabel, killed in a car crash when her daughters were little. What was her story? In ‘The Passage of Desire’, we take a step into the past and meet Alexandra in her mid-thirties, on her way north to spend a holiday with her best friend Juliet. What happens during that summer will have dramatic repercussions on the lives of both the women and their families.

Path across the moors
The end of the road

Now that it’s almost time to say goodbye to the characters, the anxieties have come rushing in. The usual suspects—is the book a load of rubbish? Will anybody like it? Is it too much of a departure from the first two? ‘Maybe I should just scrap it’—along with other minor wobbles. Context for example. Have I got the details right? We’re back in the early nineties, people didn’t have mobile phones or Skype, the Internet was in its infancy. What did people wear in those days? What did they drive? This is always a tricky one for me. ‘What sort of car do your neighbours have?’ Answer: ‘A grey one’. In ‘Hot Basque’ I had my hero behind the wheel of a Renault Picasso. It was only thanks to eagle-eyed best friend and beta reader Elizabeth that I changed ‘Renault’ to ‘Citroen’, thus escaping scorn and ridicule from autophile Amazon reviewers. Then there was the time I decided to change a character’s name after the entire manuscript was finished and ready to upload. No panic, easy peasy, click the command on Word and tell it what to do. Find ‘Mark’ and replace with ‘Liam’. Go! It went. Fortunately I did yet another read-through before clicking the Publish button:

 Chapter 15

‘What beautiful weather,’ Margaret reliamed.’

Huh?

‘They decided to take a trip to the liamet town of Liamet Harborough.’

Oh no! Oh yes. Hundreds of them.

Why did I decide to change Mark to Liam? Names have always been a problem for me. Faced with a myriad of possibilities, my imagination freezes. The heroine. Her name is pretty damn important. Charlotte, Emily, Anne, Catherine, Jane, Emma, Elizabeth, Scarlett. Been there done that cross them all off. Peaches, Brooklyn, Hilton, one day they’ll be stuck in a time warp, like padded shoulders and big hair. Sigh. How about…Eleanor? That sounds promising. I like Eleanor. Wait, there was that woman at work, years ago, the one who used to chew with her mouth open, you can’t give your heroine the same name as someone whose back molars you were once intimately acquainted with. Gwendoline? Hang on, didn’t you just see a Gwendoline in a book you read a few weeks ago on the Kindle? Or was that Gwenllian ? Anyway too risky, plagiarism, quelle horreur. Films! Not the big Hollywood stars at the beginning, fast-forward to that endless list of names that rolls up when the DVD is finished and you’re just putting your slippers back on and brushing the biscuit crumbs off the sofa. The Clapper Loader, the Gaffer, the Best Boy, all those five zillion special effects people…That’s handy, the Maître de Maison has left a disc inside the machine…just a minute, why are all these names Hungarian? What’s he been watching now? Oh. ‘The Martian’.

Inspiration strikes. The bookcase! Elementary cher Watson, millions of names on those shelves…no, not ‘Beowulf’, move along, how about ‘Moll Flanders’, hello, this must be my student copy, did I really write those cringe-worthy notes in the margin? ‘Moral sense, ‘uncertainty,’ ‘resigned acceptance of hard truth’? That can go back for a start.

Dickens! There’s my man! A thousand and one unforgettable characters! Names galore! Mr Snawley, Master Wackford, Sir Mulberry Hawk, Lord Verisopht, Miss LaCreevy, Miss Knagg, Miss Snevellici (was he on something, our Charles?) Smike…oh poor tragic Smike! It’s the bit where he’s just leaving Miss LaCreevy’s house and heading off to Bow….oh no, he’s been caught again by the loathsome sadist Mr Squeers who’s going to haul him back to Dotheboys Hall! He’s boxing his ears and slapping his face!

‘Poor Smike ‘warded off the blows as well as he could’…‘stunned and stupefied’ with ‘no friend to speak to or advise with.’

Don’t you just love Dickens? In fact maybe I’ll take a wee break and read what happens next. In fact maybe I’ll just leave the name-search till later. Tomorrow is another day.

And that’s another story.

Charles and gang. Nicholas Nickelby
Charles and gang. Nicholas Nickelby

For the importance of stories in our personal and professional lives check out ‘Story for Leaders,’ written by writer, actor, singer and business innovator extraordinaire , David Pearl. All proceeds go to the non-profit making social business ‘Street Wisdom’:

http://www.amazon.co.uk/Story-Leaders-David-Pearl/dp/0993501109

http://www.streetwisdom.org/

PS I have a beautiful new cover for ‘Hot Basque’ (on the left). Thank you GX and Caroline at:

http://graphiczxdesigns.zenfolio.com/